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Pia ZadoraBack Again and Standing TallMetropolitan Room
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![]() The opener, “Pick Yourself Up” (Kern/Fields), expressed her personal philosophy. Her big hopes were expressed in “Maybe This Time” (Kander/Ebb) sung with a youthful, open-eyed eagerness, which she also used to convey her excitement at having been on Broadway as a youngster with “City Lights” (Kander/Ebb). She sang a rollicking “All of Me” (Gerald Marks/Seymour Simons) and turned “C’est si bon” into a gently sensual samba. She flirted her way through the audience during “I’m Beginning to See the Light” (Ellington/George/Hodges/James). In fact, Zadora’s style is a flirtatious variation on the slick style she adapted in her precocious boom years appearing with Sinatra in Vegas. She knows how to put over a song, but, endearingly, doesn’t dig too deeply. She ended kind of oddly with Jerry Herman’s “I Am What I Am,” not as an anthem, but an expression of confidence. Vinnie Falcone was her fine musical director/pianist leading a very experienced band: Ronnie Zito (drums), Joe Lano (guitar), Jay Leonhart (bass) and Ned Ginsberg (keyboards). Joel Benjamin |
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